A group of dancers stands on a sloped stage while, in the foreground, one person balances impressively on one hand as confetti swirls through the air.
© Dominik Mentzos
A group of dancers stands on a sloped stage while, in the foreground, one person balances impressively on one hand as confetti swirls through the air.
© Dominik Mentzos
Dance

William Forsythe / Ioannis Mandafounis / Dresden Frankfurt Dance Company

Undertainment / Lisa

Tickets:

44/36/24/14 (conq. from 9 Euro, [k]-Karte from 7 Euro)

Info

Recommended for ages 14 and up.
Note: Very loud music is played in places in LISA.

Past dates

Archive

Thursday

12/4/25

8:00 PM

Archive

Friday

12/5/25

8:00 PM

Archive

Friday

12/5/25

9:30 PM

9:30 PM

Artist talk

with Ioannis Mandafounis und Luise März

Archive

Saturday

12/6/25

8:00 PM

This double evening celebrates the artistic encounter between choreographer William Forsythe, founder of the Dresden Frankfurt Dance Company, and choreographer Ioannis Mandafounis, the company's new director.

William Forsythe is one of the most important and influential choreographers of the late 20th century. His innovative approach to the tradition of ballet has opened up directions in dance that previously seemed unimaginable. From 1984 to 2004, Forsythe directed the Frankfurt Ballet, and after its closure, he led the Forsythe Company from 2005 to 2015. This was later renamed the Dresden Frankfurt Dance Company. In this year, Forsythe returned to the place where he had worked for many years and developed a new work for the company for the first time. In UNDERTAINMENT, Forsythe uses an improvisational building block system to create his own structure, which does not seek to represent anything else, but stands alone and unfolds its appeal precisely in this way. As in a kaleidoscope, new patterns are constantly emerging: clearly framed, but full of surprises and twists. The dancers immerse themselves deeply in this system they have created and explore it to its limits.

LISA takes the audience on an extraordinary journey—right into the heart of the 1930s. Based on the method of live choreography developed by Ioannis Mandafounis, a space full of possibilities is created on stage. The dancers decide live and in the moment of the performance when they enter and leave the stage. These spontaneous changes create ever-changing dynamics: two people meet, and suddenly a lively group scene emerges. Shortly afterwards, a dancer stands alone on stage, and an unexpectedly moving solo unfolds. In LISA, these dramaturgical principles merge with poems by the poet Ossip Mandelstam and music by Gabriel Fauré.

The body sounds of the dancers as music and signals of a choreography based on improvisation, both fill the space, or rather: allow a long-missed expanse to be felt. Typical sequences, the long diagonally guided arms, the body spirals and off-axis arabesques appear like good old acquaintances from the world of Forsythe. You can see the mastery of savouring a movement in its full length. And thus opening up space for reflection for both the ensemble and the audience.

» «
FAZ, Eva Maria Magel, 06.06.2025

simply impressively precise

» «
Frankfurter Neue Presse, Katja Sturm, 07.06.2025

The piece is very calm and focussed, very finely crafted and precise, as we know it from Forsythe.

» «
Esther Boldt, hr2 Frühkritik

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While confetti rains down, one person carries another on one hand, whose legs and arms are falling toward the ground. In the background, people can be seen running away.
© Dominik Mentzos
In a bare, hall-like room, dancers stand lined up in an open square formation, pressing their cheeks together with one hand. Two people stand in the middle, one with their hands on their hips and one with their hands on their head.
© Stephan Floss
One person stands slightly bent over to the side at the front and lets their arms hang down in this direction. Behind them, three people stand in a V formation. Behind them, other people dance in the same way or move in different ways.
© Stephan Floss
Some dancers lie in a tangled heap on top of each other. Next to them stands a person who appears to be talking to them while pointing toward the heap.
© Dominik Mentzos
One person bends over to the side while pushing one arm far in front of them and pulling the shoulder of the other arm in the opposite direction. Behind them is another person with one knee on the floor and their arms bent.
© Dominik Mentzos
Confetti rains down on an almost empty stage. On the left, a person jumps into the air, and on the right, a person stands on a raised platform.
© Dominik Mentzos

UNDERTAINMENT

Choreography William Forsythe Dance Dancers of the Dresden Frankfurt Dance Company Choreographic assistance Cyril Baldy Rehearsal management Pauline Huguet Lighting Tanja Rühl Costume Dorothee Merg

LISA

Choreography Ioannis Mandafounis Dance Dancers of the Dresden Frankfurt Dance Company Costume Dorothee Merg Piano Gabriele Carcano Dramaturgy Philipp Scholtysik Choreographic assistance Pauline Huguet Stage, Lighting Ioannis Mandafounis

Cast Sophie Borney, Thomas Bradley, Emanuele Co’, Audrey Desmurs, Louella May Hogan, Nastia Ivanova, Marina Kladi, Yan Leiva, Antonin Mélon, Emanuele Piras, Solène Schnüriger, Ichiro Sugae, Ido Toledano, Simon Voitoux Puigrenier, Ashley Alexandra Wright, Sam Young-Wright.

UNDERTAINMENT is a Coproduction with DE SINGEL – International Arts Centre and the Romaeuropa Festival. With support of Dance Reflections by Van Cleef & Arpels.

The Dresden Frankfurt Dance Company is supported by the state capital Dresden and the Free State of Saxony as well as the city of Frankfurt am Main and the state of Hesse. Company-in-Residence at HELLERAU - European Center for the Arts in Dresden and at Bockenheimer Depot in Frankfurt am Main.