Ästhetik der Enthüllung
Ubermorgen
The question of what constitutes art is not a neutral proposition, but rather an instrument of power – a boundary that not only determines what may be seen, but also how it should be seen.With the IBIZA video, we shift this boundary: between reality and staging, revelation and manipulation, art and political intervention. This lecture performance is staged like a live TV show: 3–5 candidates from the audience compete against each other, evaluate controversial scenarios, reenact them, and test how boundaries can be shifted.
Past dates
9/27/25
7:00 PM
Who determines whether an act of exposure is interpreted as artistic practice or criminal assault? Who decides whether an intervention serves the common good or personal interests? And who controls the discursive infrastructure on the basis of which such presumptions of guilt are made and judgements passed? The institutionalised concept of art operates here as a border regime – seemingly objective, but in fact contaminated by ideological interests, economic dependencies and narrative control.
Death is a master from Germany.
Politics is an artist from Austria.
Art is a scandal from Ibiza.
We understand this work as a radical universalist intervention that does not remain in the symbolic realm, but infiltrates, destabilises and exposes real power structures. For us, this classification is not a minor matter, but a strategic approach.
In 1995, two rebels formed the UBERMORGEN.COM community: lizvlx (Liz Katlein) and Luzius Bernhard (formerly known as Hans Bernhard), a duo that turns network nodes and the analogue world into a stage for revolutionary art. Their roots lie in the avant-garde Net.Art movement, characterised by media hacking, which breaks down the boundaries of the everyday and creates attention - subversive, provocative, never expected.
