A white man is sitting on a bed wearing a medical headgear and a pink smock with lots of hair stuck to it. He pulls a strand of hair away from him with a slightly disgusted look. A mug of coffee and a head of lettuce lie around him.
© Florian Krauß
A white man is sitting on a bed wearing a medical headgear and a pink smock with lots of hair stuck to it. He pulls a strand of hair away from him with a slightly disgusted look. A mug of coffee and a head of lettuce lie around him.
© Florian Krauß
Performance

Hendrik Quast

Hairkunft

Tickets:

15 Euro (conc. 9 Euro, [k]-Karte 7,50 Euro)

Info

Ab 16 Jahren. Explizite Bilder einer Haartransplantation und des Heilungsprozesses, z.B. Schorf, Wunden, Blut, Narben und medizinische Instrumente. Darstellung von Klischees wie übermäßiger Alkoholkonsum. Thematisierung von Diskriminierung aufgrund sozialer Herkunft, sexueller Orientierung und chronischer Krankheit.

Dates

[k]-Premiere

Thursday

2/6/25

7:00 PM

Tickets

Friday

2/7/25

7:00 PM

Tickets

Saturday

2/8/25

7:00 PM

Tickets

Hendrik Quast’s hair abandoned him, right when he most longed for glorious locks to help him slip into his new role in the art world and climb the social ladder. To secure his place in the middle class, Quast needed a defensive (hair)line! As he learned from Simba in The Lion King, a full mane symbolizes status and class. So Hendrik Quast got himself a hair transplant. This phase of his hair-story was bloody, painful, expensive and risky: The surgery as a durational performance used real, home-grown hair—no wigs here, folks! Would his working-class roots nourish the newly planted hairs? Can hereditary hair loss be overcome this way? What remains, if his chronically ill body rejects the new hair? In a madcap performance, Hendrik Quast uses his scalp to explore his hair-itage. Combining elements of stand-up, musicals and body art, he sheds light on the contradictory nature of his queer and shame-filled journey across class boundaries. Quast brings the ghosts of his experience of class mobility on stage, caught between his roots and the future, questioning the price of social rise, redistributes its costs and ows nothing to anyone.

A white man grins broadly into a microphone in his hand. He is wearing a golden jacket, a beige bicycle helmet and a long, curly, brown wig on his helmet.
© Florian Krauß
A white man sits covered up in a bed. He holds a hairdryer to his eye like a magnifying glass or a telescope. The background is blue and a huge comb casts a shadow on the wall.
© Florian Krauß
A white man is wearing a bald cap with black lines drawn on his head. He speaks into a microphone and holds a sharpie with his other hand. He is wearing a gold jacket and white jeans.
© Florian Krauß
A man in black clothing lies on the floor and is fed a can of beer with a tortured look by another person with a tricher and hose. Fog wafts around. Behind them, several people are sitting in the shade on a bed.
© Florian Krauß
A white man with short hair, a black T-shirt and plain trousers is sitting on a bed. He has a slimy substance on his head, which is also smeared on his face. In the background, a huge comb becomes a shadow on the wall.
© Florian Krauß
A white man with short hair, a black T-shirt and plain trousers is sitting on a bed. He has a slimy substance on his head and is blow-drying his hair with a blue hairdryer. He looks serious.
© Florian Krauß
A white man is sitting on a bed wearing a medical headgear and a pink smock with lots of hair stuck to it. He pulls a strand of hair away from him with a slightly disgusted look. A mug of coffee and a head of lettuce lie around him.
© Florian Krauß

Text, performance, concept, direction Hendrik Quast Costume, make-up Christina Neuss Sound Toben Piel Artistic collaboration, video Michel Wagenschütz Stage Jonas Maria Droste Lighting Maika Knoblich Dramaturgy Florian Fischer Consultancy Text Daniela Plügge Transplantation Bahar Akcay, Dr Christian Roessing PR Augustin PR Technical management Hendrik Borowski Consultancy Comedy Christian Eisert, Katrin Wöller Production assistance Maret Zeino-Mahmalat Production Lisa Gehring

A production by Hendrik Quast in co-production with Sophiensæle, Künstler*innenhaus Mousonturm Frankfurt/Main, Forum Freies Theater Düsseldorf, Kampnagel Hamburg and Theater RAMPE Stuttgart. Supported by the Senate Department for Culture and Social Cohesion of the State of Berlin and the Fonds Darstellende Künste with funds from the Federal Government Commissioner for Culture and the Media.