Kampnagel sommerfestival logo anschnitt 4c
Under dim lighting, a dancer forms an “O” with her arms above her head. Shimmering elements appear under her top. Other dancers can be seen in the background.
© Fabian Hammerl
Under dim lighting, a dancer forms an “O” with her arms above her head. Shimmering elements appear under her top. Other dancers can be seen in the background.
© Fabian Hammerl

Ogemdi Ude

Major

Tickets:

32 / 22 / 9 (50% conq. with Festivalkarte)

Info

With little English language; Possible triggers: Strobe lights

Past dates

Weltpremiere

Thursday

8/7/25

9:00 PM

Weltpremiere

Friday

8/8/25

9:00 PM

Weltpremiere

Saturday

8/9/25

9:00 PM

Weltpremiere

Sunday

8/10/25

7:30 PM

With MAJOR, US choreographer Ogemdi Ude explores the dance of her childhood: Majorette is closely associated with the Historically Black Colleges and Universities (HBCU) in the US South and is performed at football games alongside large marching bands. The dance style, developed by Black women and femmes combines the precision of a kickline with the tongue-in-cheek sensualityof burlesque, and is characterized by synchronized, explosive movement sequences in large formations. It inspired Beyoncé’s 2018 Coachella performance “Homecoming” and now serves Ude as the basis for her Summer Festival world premiere MAJOR. Six performers explore the movements of their youth in order to reclaim a form that has so far received little attention in contemporary dance. With powerful movements, flowing hip swings, and precise counts, they demonstrate how majorette — like vogueing and other subcultural practices — can integrate with contemporary dance to become, like MAJOR, a polyphonic, tenderly fierce homage to Black femininity.

Six performers each stand in front of a microphone in two rows. Their arms are spread out at a 45-degree angle on both sides. Their blue tracksuits sparkle and the right legs of their pants are cut off.
© Fabian Hammerl
Under dim lighting, a dancer forms an “O” with her arms above her head. Shimmering elements appear under her top. Other dancers can be seen in the background.
© Fabian Hammerl
A dancer lies on a block element covered with artificial turf. She supports her head with one hand and holds a microphone to her mouth with the other. Other dancers can be seen in the background.
© Fabian Hammerl
A dancer holds her leg up straight. She wears a black bodysuit with shimmering green elements and cut-outs on the leg. In the background, another dancer wearing the same outfit is visible.
© Fabian Hammerl
A dancer with red cropped hair stands with her legs apart and gazes determinedly into the distance.
© Fabian Hammerl
A dancer surrounded by black has her head tilted back and her back arched far backward. She holds a microphone to her mouth and her other arm swings backward.
© Fabian Hammerl
Two dancers sit next to each other on a grassy block, facing each other. They appear to be talking, and one dancer is pointing at the other with her middle and index fingers. In the background are two dancers.
© Fabian Hammerl
A close-up of two dancers, both looking to the left with questioning expressions.
© Fabian Hammerl
Two dancers stand side by side with their legs apart, one screaming at the camera, the other looking distraught. In the background, two dancers are locked in a close embrace.
© Fabian Hammerl
One dancer holds another dancer slightly above her and looks up at her with her head tilted back. The other dancer has her hand behind the first dancer's neck and is also looking at her face.
© Fabian Hammerl
A spotlight shines on a dancer standing with her legs apart and holds a pose with her arms bent. The other dancers are sitting on two blocks around her, watching, one of them grinning broadly.
© Fabian Hammerl

Ogemdi Ude: Major, 2025


CONCEPT, DIRECTOR & CHOREOGRAPHY Ogemdi Ude in collaboration with PERFORMERS Kayla Farrish, Selah Hampton, Jailyn Phillips-Wiley, Song Tucker, Junyla Silmon, Chanel Stone DANCE CAPTAIN Selah Hampton ARCHIVIST Myssi Robinson COMPOSITION Lambkin STAGE DESIGN & LIGHT DESIGN Sim Carpenter STAGE MANAGEMENT PROBES Noah Latty STAGE MANAGEMENT PRODUCTION Tania “T” Saiz Perez COSTUME DESIGN Celeste Jennings DRAMATURGY Dominique Rider PRODUCTION MANAGEMENT Sara Pereira da Silva PROCESS MANAGEMENT Ny Opong, Catherine Kirk

PRODUCTION Ogemdi Ude mit Internationales Sommerfestival Kampnagel COMMISSIONED BY New York Live Arts SUPPORTED BY Brooklyn Arts Exchange, Danspace Project, Mercury Store, Massachusetts Institute of Technology (MIT) FUNDED BY New England Foundation for the Arts’ National Dance Project, MAP Fund, Brooklyn Arts Council, Dance NYC, Café Royal kickline with the
Cultural Foundation, New York State Council for the Arts.