A choir stands in front of the camera, wearing masks and holding books.
© Maxim Paré Fortin
A choir stands in front of the camera, wearing masks and holding books.
© Maxim Paré Fortin
Nordwind Festival
Performance

Philippe Cyr / Safia Nolin / Théâtre Prospero

Surveillée et Punie ("Surveilled and Punished")

Info

From 16 years. Triggers: Nudity, hateful and violent language, misogyny, fatphobia, racism, homophobia, incitement to suicide, references to death, and harassment.

Dates

Wednesday

12/9/26

8:00 PM

Tickets

Thursday

12/10/26

8:00 PM

Tickets

Friday

12/11/26

8:00 PM

Tickets

Surveillée et punie shows us a powerful and necessary reappropriation of our very being and our rightful place in it. The further the show progresses, the more we witness a reversal of dynamics. Safia Nolin finally gives herself the right to exist, to be carefree and to enjoy life. A more than salutary experience.

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Revue Jeu

Renowned singer-songwriter Safia Nolin, from Quebec, captivates audiences with her unique voice, which is simultaneously raw, vulnerable and radical. She has collaborated with director Philippe Cyr to transform the thousands of hateful comments directed at her online into a powerful music performance exploring the mechanisms of public condemnation and artistic self-empowerment. 

SURVEILLÉE ET PUNIE (translated: "Surveilled and Punished") raises the urgent question of what freedom of expression means when it turns into hate and violence. Placed at the centre of the piece is Safia Nolin herself, facing a large choir that confronts her with the collected hate comments. Supported by the music and the choir's power, the hostile power dynamics are reversed. What begins as a public attack ends with the reclamation of voice, visibility, and space. SURVEILLÉE ET PUNIE is a powerful reflection on the violence of words and, at the same time, a moving tribute to the capacity of art to transform hate into community, solidarity and action.

I was frankly impressed by Surveillée et punie, a show inspired by the hate messages targeting Safia Nolin over the years, directed by Philippe Cyr. I didn’t expect such beauty from such ugly material.

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La Presse

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300dpi Modifiées Surveillée et punie FTA Maxim Paré Fortin 3
© Maxim Paré Fortin
300dpi Modifiées Surveillée et punie FTA Maxim Paré Fortin 2
© Maxim Paré Fortin
300dpi Modifiées Surveillée et punie FTA Maxim Paré Fortin 5
© Maxim Paré Fortin
300dpi Modifiées Surveillée et punie FTA Maxim Paré Fortin 4
© Maxim Paré Fortin
300dpi Modifiées Surveillée et punie FTA Maxim Paré Fortin 6
© Maxim Paré Fortin

Libretto Safia Nolin, Jean-Philippe Baril Guérard Music Safia Nolin, Vincent Legault Creator and Director Philippe Cyr Dramaturgical advisor Anne-Marie Voisard With Safia Nolin, Katya Lévesque Choir Mathieu Abel, Cristine Cimon Fortier, David Cronkite, Ryan Doyle Valdés, Étienne Guertin, Claudine Ledoux, Kimberly Lynch, Florence Tremblay and a local choir Set Designer Odile Gamache Lighting Designer Cédric Delorme-Bouchard Assistant Director Andrée-Anne Garneau Video Zachary Noël-Ferland Lighting Joëlle LeBlanc Sound Jules Potier Recruitment John Giffen et le Chœur de Montréal Research Ariane Thibault-Vanasse Production Manager Catherine Comeau

A creation by Prospero, in coproduction with l’Homme allumette, Théâtre français du Centre national des Arts (Ottawa), Les Plateaux Sauvages (Paris) in collaboration with Théâtre du Trident (Québec) Developped with support from The National Arts Centre’s National Creation Fund