Kampnagel sommerfestival logo anschnitt 4c
A person dressed in dark clothing, lying half down, smears chalk on their face. They are wearing white gloves and white tulle on their head.
© Fabian Hammerl
A person dressed in dark clothing, lying half down, smears chalk on their face. They are wearing white gloves and white tulle on their head.
© Fabian Hammerl

MACKENZY BERGILE

Autothérapie: Unbolting Colonial Statues from Our Consciousness

Tickets:

22 / 9 (50% conq. with Festivalkarte)

Info

Trigger Warning: Explicit content, nudity, images of drug use and strobe lighting

Past dates

Weltpremiere

Thursday

8/7/25

6:30 PM

Weltpremiere

Friday

8/8/25

6:30 PM

Weltpremiere

Saturday

8/9/25

7:30 PM

Few artists are as multifaceted in their practice as Mackenzy Bergile. A self-taught dancer, choreographer, composer, and writer, he also works as a model and photographer. He has contributed as a dancer, musician, and composer to Saïdo Lehlouh’s acclaimed stage works EARTHBOUND (Kampnagel 2022) and TÉMOIN (Summer Festival 2024), and draws in his own creations on the cultural influences of his countries of origin, Haiti and France. With AUTOTHÉRAPIE, he presents a world premiere that emerged from his intensely poetic performance at last year’s Summer Festival, which he presented together with dancer Mayvis William in the Spiegelsaal of the MK&G museum. Now developed into a full-length solo stage work, the piece weaves together elements of hip-hop, jazz, ballet, and traditional Haitian dances into an expressively sensitive movement language that channels memory, trance, and resistance.

The performance unfolds through a series of non-linear sessions that follow fragmented traces of memory—echoes of Afro-diasporic culture, history, and experience that stretch across time, continents, and narratives. Its structure reflects years of artistic research and a deep interest in how history inscribes itself somatically into the body. Inspired by Haitian Spiralism, a literary and political mode of thought that conceives of history as cyclical and polyphonic, Bergile creates a moving topography of violence, resistance, and spirituality.

The silhouette of a walking person can be seen in front of a wall onto which a verse from “Ave Maria” is projected. The person is wearing a veiled hat, and there is a wooden bench in front of the wall.
© Fabian Hammerl
The darkly dressed performer sits wearing a white headdress on the bench in front of the wall on which a verse from “Ave Maria” can be seen.
© Fabian Hammerl
The performer stands in a purple swimsuit in a tense pose with his back to the camera. In front of him, a statue of Mary stands on the floor, and behind him, the following text is written on the wall: “a fractured continent rising again through words.”
© Fabian Hammerl
The performer, lying half-reclined in a purple swimsuit, supports himself on one hand. He holds his other hand dismissively in the air, his gaze toward the floor appearing dissatisfied.
© Fabian Hammerl
The performer holds his index finger outstretched between his eyes in front of him in the air, with his other hand on his hip. His gaze is focused on his index finger.
© Fabian Hammerl
A person dressed in dark clothing, lying half down, smears chalk on their face. They are wearing white gloves and white tulle on their head.
© Fabian Hammerl
The performer wears a red hat, small glasses with thin yellow frames, white gloves, a knee-length brown skirt, beige checked stockings, and black polished loafers. He is smeared with chalk, and in front of him stands the figure of Mary.
© Fabian Hammerl
The performer stands with his back to the camera wearing a purple swimsuit, with only one sleeve on his shoulder. In front of him is a small statue of Mary.
© Fabian Hammerl
The performer sits on a wooden bench, a red and a black piece of fabric lying on his knees. Below, behind, and above him are large white surfaces. In front of him lies an overturned statue of Mary, and a larger black statue of Mary stands upright.
© Fabian Hammerl
A close-up of the performer, who is looking determinedly into the distance. Two white spaghetti straps can be seen on his shoulders.
© Fabian Hammerl
The performer wears a white swimsuit and arches backward on his toes. To his left and right are two dark wooden figures of different sizes with long limbs. In front, a black-skinned figure of Mary, holding Jesus, towers over an overturned white Mary.
© Fabian Hammerl

CHOREOGRAPHY. DRAMATURGY, TEXT Mackenzy Bergile PERFORMANCE Mackenzy Bergile ARTISTIC COLLABORATION Inès Mauricio LIGHT DESIGN Eduardo Abdala COSTUME Isaac Sanka GRAPHIC DESIGN Mackenzy Bergile, Inès Mauricio

PRODUCTION collectif FAIR-E / CCN de Rennes et de Bretagne, gefördert durch das Kulturministerium (Direction régionale des Affaires culturelles / Bretagne), die Stadt Rennes, die Region Bretagne und das Département Ille-et-Vilaine COPRODUCTION Internationales Sommerfestival Kampnagel, CCN de Tours / Thomas Lebrun und CCN d'Orléans / Collectif ÈS (im Rahmen des Accueil-studio), Fonds Transfabrik - deutsch-französischer Fonds für die darstellende Kunst SUPPORT Aide au projet - Ministère de la Culture (Direction régionale des Affaires culturelles / Bretagne), Aide à l'accueil en résidence artistique - Ville de Rennes.