A naked, heavy woman stands in front of a recorded screen and looks towards the audience. Tapes are stuck along her upper body, strongly emphasising her protruding breasts.
© Leontien Allemeersch
A naked, heavy woman stands in front of a recorded screen and looks towards the audience. Tapes are stuck along her upper body, strongly emphasising her protruding breasts.
© Leontien Allemeersch

Katy Baird

Get Off

Trigger warning: Not for the faint-hearted - but for all those who consider humor to be a serious weapon in the human struggle for existence.

Tickets:

24 / 18 / 9 Euro (conc. from 9 Euro, 50 % conc. with Festivalkarte)

Info

Not suitable for minors. Possible triggers: Explicit content, strobe light.

Past dates

Archive

Thursday

8/22/24

8:15 PM

Archive

Friday

8/23/24

8:15 PM

Archive

Friday

8/23/24

9:15 PM

9:15 PM

Artist Talk: Katy Baird

Archive

Saturday

8/24/24

7:15 PM

»Messy, anarchic and very funny.«

» «
The Stage Newspaper

Drugs, food, or those little hearts on Instagram: The human brain processes all pleasures similarly. However, when Scottish hedonist, performer, and self-proclaimed hot mess Katy Baird opens the door to the world of desire on stage, the pleasant can quickly turn into the unpleasant - and vice versa. Ruthless, disarming, and interspersed with a great deal of British humor, Baird lustfully crosses the boundaries of taste (and of the audience) as if an invisible shame and protective filter of the theater had been removed. Like her smash hit WORKSHY, which was also shown at Kampnagel in 2017, her latest work GET OFF offers deeper insights into human needs and longing for conversation. Dressed only in a few neon strips, Baird aims to capture moments of disarming honesty and follows the credo of her co-director Kim Noble, whose disturbingly poetic works have been among the Summer Festival highlights in recent years: human abysses are best explored with sly humor!

A naked, multi-weight woman stands in front of a recorded canvas, her arms spread out. Tapes are stuck along her upper body, strongly emphasising her protruding breasts.
© Leontien Allemeersch
A naked, multi-weight woman dances in front of a recorded screen. Tapes are stuck along her upper body, strongly emphasising her protruding breasts.
© Leontien Allemeersch
A naked, heavy woman stands in front of a recorded screen and looks towards the audience. Tapes are stuck along her upper body, strongly emphasising her protruding breasts.
© Leontien Allemeersch
A naked, multi-weight woman sits on the floor in front of a recorded screen and speaks into a microphone. Tapes are stuck along her upper body, strongly emphasising her protruding breasts.
© Leontien Allemeersch
A naked, multi-weight woman sits on the floor in front of a recorded screen and speaks into a microphone. Tapes are stuck along her upper body, strongly emphasising her protruding breasts.
© Leontien Allemeersch
A woman in a blue suit stands in front of an audience with the words "Fucking Great" projected onto the wall behind her.
© Leontien Allemeersch
A naked, multi-weight woman stands in front of a recorded canvas on which two rabbit images are depicted on a female breast.
© Leontien Allemeersch
A woman in a blue suit stands in front of a recorded screen on which two large pictures of rabbits are placed on a female breast.
© Leontien Allemeersch
A naked, multi-weight woman stands in front of a recorded screen and appears to be speaking to an audience. Tapes are stuck along her upper body, strongly emphasizing her protruding breasts.
© Leontien Allemeersch

Concept, Direction & Performance Katy Baird Co-Direction Kim Noble Dramaturgy Pol Heyvaert Light Design Joe Hornsby Sound Nicol Parkinson Movement Coach Lisi Estaras Production UK Michael Kitchin Co-Commission Campo, Battersea Arts Centre & Transform Support Artsadmin, Tramway, Cambridge Junction & horizon Funding Arts Council England's National Lottery Artistic Support Lucy Hutson, Eirini Kartsaki, Jordan Mckenzie, Eve Stainton, Ivor Macaskill, Kharn Roberts, Mitch & Zeroh